Finding Balance: Addressing Cognitive Dissonances through Play
Joe McKay and Greg Niemeyer, UC Berkeley
Seminar on People, Computers, and Design
Stanford University October 6, 2006Can games make us better humans? In their talk, Joe McKay and Greg Niemeyer will present brief overviews of their respective creative work to date, the nature of their collaboration, and the feelings they wish to elicit with their current joint project, Balance. They will also demonstrate the current version of their Balance game. The game interface consists of a displacement sensing tile and video graphics which allow players to refine their sense of balance with adaptive feedback optimizations. Niemeyer and McKay hope to show that their game can help especially senior citizens maintain and improve their sense of balance.
Joe McKay is an artist who makes work with and about digital culture. McKay grew up in Ontario, Canada and went to school at Nova Scotia College of Art and Design in Halifax. In 2001 McKay participated of the Whitney Independent Study Program and had a two-person collaborative exhibition with Kristin Lucas titled "The Electric Donut". In 2004 Joe had his first solo show at VertexList in Williamsburg, New York. He has shown his work in the Berkshire museum, the National Gallery of Canada, the ICA in San Jose, an the New Museum. Currently Joe is perusing his MFA at UC Berkeley.
Born in Switzerland in 1967, Greg Niemeyer studied Classics and Photography. He started working with new media when he arrived in the Bay Area in 1992 and he received his MFA from Stanford University in New Media in 1997. At the same time, he founded the Stanford University Digital Art Center, which he directed until 2001, when he was appointed at UC Berkeley as Assistant Professor for New Media. At UC Berkeley, he is involved in the development of the Center for New Media, focusing on the critical analysis of the impact of new media on human experiences. His creative work focuses on the mediation between humans as individuals and humans as a collective through technological means, and emphasizes playful responses to technology. His most recognized projects were Gravity (Cooper Union, NYC, 1997), PING (SFMOMA, 2001), Oxygen Flute (SJMA, 2002), Organum (Pacific Film Archive, 2003), Ping 2.0 (Paris, La Villette Numerique, 2004), Organum Playtest (2005), and Good Morning Flowers (SFIFF 2006, Townhouse Gallery, Cairo, Egypt, 2006).
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Titles and abstracts for previous years are available by year and by speaker.