Today's designers generate content both on paper and online. Designers spread their work over physical and digital media, each of which has powerful—but distinct—sets of affordances. Recent work suggests that augmented paper interfaces can marry the ubiquity of paper interactions with the ease of search, annotation, and presentation afforded by digital representation. This dissertation examines novel ways to support and augment the practice of design through sharing and reappropriation of digitally captured design content.
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